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␈↓ α≠␈↓␈↓ ε.58␈↓ 
k


␈↓"β␈↓ α≠␈↓␈↓ α{The␈αtonics␈αwhich␈αare␈αmost␈αclosely␈αrelated␈α(see␈αtable␈α
on␈αpage
␈↓ α≠␈↓46)␈α∪are␈α∩connected␈α∪by␈α∩horizontal␈α∪bars.␈α∩ The␈α∪black␈α∩notes␈α∪may␈α∩be
␈↓ α≠␈↓added␈α∞to␈α∞show␈α∂the␈α∞mode␈α∞of␈α∞each␈α∂tonic.␈α∞ When␈α∞dealing␈α∂with␈α∞very
␈↓ α≠␈↓complex␈α
progressions,␈α
it␈α
may␈α
often␈α
prove␈α
quite␈α
helpful␈α∞to␈α
sketch
␈↓ α≠␈↓out␈α∞the␈α∞tonic␈α∞guide␈α∞tones␈α
previous␈α∞to␈α∞making␈α∞any␈α∞final␈α
decisions
␈↓ α≠␈↓concerning the particular relationships of the temporary tonics.

␈↓"β␈↓ α≠␈↓␈↓ α{If␈α⊂some␈α∂of␈α⊂the␈α∂notes␈α⊂of␈α∂Example␈α⊂59␈α∂are␈α⊂altered␈α∂so␈α⊂that␈α∂we
␈↓ α≠␈↓arrive␈αat␈α␈↓&d␈↓)αβ␈αminor,␈αinstead␈αof␈αmajor,␈αits␈αrole␈αas␈αthe␈αtonicized␈αV␈αof␈α␈↓&G␈↓)αβ
␈↓ α≠␈↓is␈α⊃greatly␈α⊃weakened.␈α⊃ Voice␈α⊂leading␈α⊃is␈α⊃important␈α⊃in␈α⊂establishing
␈↓ α≠␈↓the␈α∩␈↓&d␈↓)αβ␈α∩area.␈α∩ The␈α⊃B␈α∩and␈α∩C␈↓βS␈↓,␈α∩6th␈α⊃and␈α∩7th␈α∩scale␈α∩degrees,␈α∩appear␈α⊃in
␈↓ α≠␈↓ascending lines, the B␈↓βF␈↓ and C␈↓βN␈↓ in descending lines.
␈↓"β
␈↓"β␈↓ α≠␈↓Example 60
␈↓"β␈↓ α≠␈↓␈↓ βd␈↓¬⊂⊗⊃L[%0.00,%-1.38]:N60X.PLT[HHA,LCS]⊂⊗⊃␈↓








␈↓"β␈↓ α≠␈↓␈↓ α{Now,␈α
since␈αthe␈α
I␈αchord␈α
of␈α
␈↓&d␈↓)αβ␈αdoes␈α
not␈αdisturb␈α
the␈α
material␈αof
␈↓ α≠␈↓the original scale, it is heard in direct relation to ␈↓&C␈↓)αβ.
␈↓"β
␈↓"β␈↓ α≠␈↓Figure 60
␈↓"β
␈↓"β␈↓ α≠␈↓␈↓ βg␈↓¬⊂⊗⊃L[%0.00,%-1.52]:N60F.PLT[HHA,LCS]⊂⊗⊃␈↓